Works Cited

1. Beatriz Colomina, “Enclosed by Images: The Eameses’ Multimedia Architecture,” Grey Room (2002): 1-29.

2. Bill Paul, Oral Transcript the result of a tape-recorded interview with Bill Paul, 2008. Conducted by the writer in Athens, Georgia for a lecture, “Creativity Worlds in the Making Conference,” Wake Forest University, Winston, Salem, (2008).

3. Charles Eames and Ray Eames, “The Eames Report,” Design Issues, Vol. 7, No.2,” (1958): 63-75.

4. Charles Eames and Ray Eames, “A Rough Sketch for a Lesson for a Hypothetical Course,” originally presented in Athens, Georgia 1952.

5. Deborah Ascher Barnstone, “Building A New Europe: Portraits of Modern Architects Essays By George Nelson 1935-1936,” The Art Book (2008): 58-59.

6. Elizabeth Clymber Okerbloom, “Hoyt Sherman’s Experimental Work in the Field of Visual Form,” College Art Journal, Vol. 3, No. 4 (1944): 143-147.

7. Erwin M. Breithaupt, Jr, “The Basic Art Course at Georgia,” CAJ XVII (1957):19-29.

8. Esther McCoy, “The Design Process at Herman Miller: Charles and Ray Eames,” Design Quarterly (1975):10-19.

9. Evan R. Firestone, “Lamar Dodd,” Art Journal (1994):40-42.

10. Gay McDonald, “The ‘Advance’ of American Postwar Design in Europe: MoMA and Design for Use, Exhibition 1951-1953,” Design Issues Volume 24, Number 2 (2008).

11. George Nelson, On Design, (Whitney Library of Design,1979).

12. George Nelson, “Art X,” multimedia presentation originally presented in Athens, Georgia (1952).

13. Draft Paper. Harold J. McWhinnie, “Hoyt Sherman, Adelbert Ames, Jr. & Betty Edwards on Drawing and Seeing,” University of Maryland (1989): 1-17.

14. Hoyt L. Sherman, “Author’s Reply: [A Critique of Drawing by Seeing],” College Art Journal, Vol. 13, No. 1, (1953): 36-39.

15. Hoyt Sherman, “The Eye in the Arts,” Educational Research Bulletin, Vol. 23, No. 1, (1944): 1-6.

16. Olga Gueft, ”The Design Process at Herman Miller: George Nelson,” Design Quarterly. (1975): 10-19.

17. Frank J. Roos, Jr, “Art Department the University of Georgia,” Parnassus (1940).

18. John Harwood, “The Wound Man: George Nelson and the ‘End of Architecture,’’ Grey Room 31, (MIT, 2009):90-116.

19. Lamar Dodd, “Research and Creativity.” Address delivered by Lamar Dodd, Southern University Conference, Edgewater Park, Miss. Southern University Conference, Edgewater Park, Miss. (1953).

20. Lester C. Walker, Jr, “New Art Building for Georgia,” Art Journal XXI 2 (1962):129.

21. Richard J. Mueller and Christine L.Mueller, “The Cognitive Revolution,” ERIC (1995).

22. Pat Kirkham, Charles and Ray Eames- Designers of the Twentieth Century, (MIT Press, 1998).

23. Paul Schraeder, “Poetry of Ideas: The Films of Charles Eames,” Film Quarterly, Vol.23, No.3 (1970): 2-19.

24. Raiston Thompson, “Defense of Sherman,” College Art Journal, Vol. 13, No.3, (1954): 224.

25. Richard J. Olsen, Oral Transcript the result of a tape-recorded interview with Richard J. Olsen, 2008, Conducted by the writer in Athens, Georgia for a lecture, “Creativity Worlds in the Making Conference,” Wake Forest University, Winston, Salem, (2008).

26. Rubin Gotesky and Erwin Breithaupt, “Philosophy and Phenomenological Research,” International Phenomenological Society, Vol. 39, No. 1, (1978): 23-41.

27. Ruth Bowman, Oral History Transcript the result of a tape-recorded interview with Ray Kaiser Eames on July 28 & 31 and August 20, 1980, Conducted by Ruth Bowman in Venice, California for the Archives of American Art, Smithsonian Institution.

28. Stanley Abercrombie, George Nelson: The Design of Modern Design, (MIT Press, 1995).

29. Henry M. Fran, Jr, E-mail correspondence with Henry M. Fran, Jr. a former art student of the Art in dark program.

30. The University of Georgia, “Academic Reports for the Year for the Art Department” Athens, Georgia (1949-1969).

31. The University of Georgia, Newsletter. “Art South Expands,” Art South, (1952).

32. The University of Georgia, Flier. “Coffee Hour in honor of Ray and Charles Eames, Alexander Girard, George Nelson,” (1953).

33. The University of Georgia, “An Interdisciplinary Graduate Art Program: A Creative Approach to Teaching, The Department of Art,” Athens, Georgia (1953).

34. The University of Georgia, Newsletter. Preface. (1956).

The New York University School of Law Style Guide for reference to Institutions, Locations, Persons, Titles, and Dates, Numbers, and the like.

The Chicago Guide is used for the Humanities style citation of Note, then bibliographic information.

The CAA Guidelines are used in reference to font, numeration, and text conventions.

Works that need full citation and alphabetical placement:

“Artist Presents His World, Inside and Out”, Aiken Standard, Aiken S.C. Sunday, December 11, 1964 Dr. Tom Mack, Prof. of English at USC Aiken, Cultural Affairs

Lamar Dodd”, Life Magazine Sept. 26, 1949

Carnegie Corporation of New York Quarterly, 1959, Volume VII, Number I, “The Arts of the United States”

Reply of the author to Critique of Drawing by seeing

From “The University of Georgia: A Bicentennial History, 1785-1985 Dyers

From “A Pictorial History of UGA, By F.N. Boney”

From PREFACE: to significant events at the University of Georgia January 24, 1958 #2

Georgia Alumni Record, Volume VIII, November 27, 1927, Number 2

“New Home for Art Shocks Old Athens”, The Atlanta Journal Constitution, 1-28-62

“Plan Expanded Art Program at University” Atlanta Journal Constitution, July 29, 1950(?)

Immersive and Participative Environments, Yara Guasque, 2005

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